SYSTEMATIC DISSARAY
SYSTEMATIC DISARRAY is a collection of abstract works that depict the expressions of self and thoughts of responsibility to the country, of Ghana. Explored through a symbolic, language created by the artist, the works present metaphors of chaos and anxiety in images that are essentially transpositions of an individual’s sense of responsibility and culpability in a country that struggles to find stability. The text embedded in the works critiques the development of the nation since its independence in 1957.
THE GHANAIAN CONSCIENCE
Acrylic on Canvas | 79 x 236 in (200 x 600 cm) | 2017
“The Ghanaian Conscience illustrates the artist’s views on her country, Ghana since its independence in 1957. The painting’s initial concept reflected her frustrations and inability to fully comprehend the state of the country whilst simultaneously highlighting the accomplishments the country has achieved as well as the hope we have for the future.
The systematically, chaotic composition of textured patterns and symbols mirrors the ever-evolving and spontaneous characteristics of Ghanaians. The hues of blue and red in the background allow for the artist’s uncertainties towards her conscience on the matters of responsibility she has for her country’s growth. “We are hit with obstacles and challenges that prevent us from moving forward linearly, but we always seem to stay calm and composed – on the whole”. The irony of the country’s answers to development and growth have never been in the West, the artist believes – it has always been within the land, especially when Ghana gained independence. The artists trust that once we begin to look within and have unified hope to progress as we have recently seen in current times, we will continue to see better change. The independence arch serves as a great symbol for Ghanaians to remember why they became independent. As Kwame Nkrumah once said, “Action without thought is empty. Thought without action is blind.”
WE THE PEOPLE
Acrylic on Canvas | 79 x 236 in (200 x 600 cm) | 2018
WE THE PEOPLE is an abstract work that explores the objectified social and political views of the state of Ghana, especially it’s birth in 1957. Similar to the first work of the series, The Ghanaian Conscience, this bold red composition presents multiple statements that criticise and remind Ghanaians today and in the future of the duties and responsibilities to their homeland. The bold red, drawn from the nation’s flag can directly relate to the blood that has already been shed as well as highlight the sense of urgency the people should recognise in the stage of development and action. As the protests, we have been seeing in recent times like EndSARS, Black Lives Matter and many more, one should also recognise this work as a placard for making change for us, by us.
SYSTEMATIC DISPLAY
Acrylic on Canvas | 39 x 59 in. (100 x 150cm.) | 2017
Heavily inspired by Ghana’s fabrics and patterns, the Systematic Disarray Series depicts the framework of the nation through symbolism and coded language that the artist has created. These symbols illustrate the dysfunction and chaos that occurs within the country’s systems. It, however, highlights the irony of a nation that appears to be carrying the expression famously known as having a method to the madness. Though Ghana has been through many challenges, it has always managed to sail through.
